PRESS

Nice things people said about me who aren't my Grandma.

 

 

THE HOME PLACE (Irish repertory theatre)

 
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"It hardly seems right to say that Ms. Moore has “directed” this production, for her staging is so unassumingly natural that it feels as though the play is not being acted but is merely happening." - The Wall Street Journal

"...The nuanced and occasionally funny performances from Green [as the impudent servant, Sally], and Stephen Pilkington, as Perkins, a bumbling manservant to Richard, provide the laughs." - New York Irish Arts

"Charlotte Moore has assembled a fine cast to make all the characters creditable and aptly sympathetic or despicable —the former for Gore father and son, Margaret and Andrea Lynn Green's sassy servant Sally...Andrea Lynn Green is delightful as the cheeky servant who's in love with Con Doherty." - Curtain Up


TWO BY TABORI: JUBILEE & MEIN KAMPF (self-produced)

 JUBILLEE

JUBILLEE

"The shining light of the production is Green, whose Mitzi is played with nuance and poignancy. At the climax of Jubilee it falls to her to deliver the one-two punch as she relates the fate of young children murdered by the Nazis. Her wrenching performance, within a neatly directed scene, capture’s Tabori’s intent as a playwright. Like Brecht, he never pointed fingers, but wanted his audiences to think about what they’d seen and question themselves in relation to it. Green was able to fulfill Tabori’s purpose." - Theatre Pizzazz

 MEIN KAMPF

MEIN KAMPF

"Mysteriously at the end of act one, Herzl’s underage yet chaste goyishe girlfriend, Gretchen, played disarmingly by Andrea Lynn Green, comes to visit and presents the bookseller with a pet chicken for his company and comfort." - Theatre Pizzazz


THE GLASS MENAGERIE (at Weston Playhouse & Gulfshore Playhouse)

 

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“Perhaps the most pivotal role, though, is Laura. Often given monochromatic performances as the “poor little cripple girl,” Andrea Lynn Green began that way, but with Jim’s gentle coaching, blossomed into a beautiful young woman. Green’s performance was at once heart-wrenching and heartwarming.” – Times Argus

"Andrea Lynn Green offers a mesmerizing portrayal of Laura. She shows how broken the character is by her willingness to make her ungainliness a little ugly. Green uses a bit of a grimace for a smile, and when she folds in on herself to stare at the glass collection or wind up the Victrola, her withdrawal is scarily nihilistic. Green’s courageous portrait skirts pathos and plumbs much deeper." –  Seven Days


VANYA AND SONIA AND MASHA AND SPIKE (Hartford Stage)

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“Andrea Lynn Green is innocent bliss as Nina, the straight-faced hopeful amid the hysterics, doomsayers and egoists.” - The Hartford Courant

 


HARRISON, TX: THREE PLAYS BY HORTON FOOTE (Primary Stages)

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“Pam MacKinnon, one of the American theater’s most exciting directors, has assembled a near-perfect ensemble, including the charming, funny Andrea Lynn Green as Cutie, a young, would-be spinster…” – Vulture

"Andrea Lynn Green is quite funny as eye-rolling, frowning teenager Sarah Nancy, who stomps around grumpily and declares that boys are ‘‘dumb and stupid.’’ – The Washington Examiner

“Blind Date,”  follows ex-beauty queen Delores (Hallie Foote, daughter of the playwright) as she tries to school her graceless niece Sarah Nancy (Andrea Lynn Green, sheer delight) in the art of being a man magnet. Green also gives a sweet serenity to her portrayal of ‘‘Cutie’’ Spencer, a sweet young stenographer (in The Midnight Caller)." – The Daily News

“In the company’s package of three Foote one-acts titled Harrison, TX, Hallie Foote and Andrea Lynn Green open the evening with crackling comic chemistry that’s firmly grounded in reality…” – Broadway World

“Harrison, TX” is unquestionably worthwhile – well-staged, beautifully acted, full of humor and feeling. If the tale of Blind Date is ultimately predictable, it is a delight to get there, thanks to the pitch-perfect, hilarious performances: Andrea Lynn Green is so convincing as the stubbornly ungracious young woman that it is a surprise to see her playing a graceful and attractive character in one of the later plays of the evening.” – The Faster Times

“Andrea Lynn Green is a study in contrasts as Sarah Nancy and “Cutie,” a bundle of hilariously sullen energy as the first and filled with genuine sweetness and an attractive openness as the second."  – Backstage Magazine

“(In Blind Date)…her willfully independent niece, Sarah Nancy (Andrea Lynn Green, a saucy little comedienne and a real find)… (In The Midnight Caller), … the all-pro cast gives (the characters) dimension:  the young secretary who’s probably in love with her boss (Andrea Lynn Green, sweetly protective of this romantic girl." – Variety

“Green is extremely entertaining as Sarah Nancy, stomping down the stairs, slumping on the couch and clearly expressing her disgust while listening to the kind, good-natured Felix (Evan Jonigkeit) recite the books of the Bible. Green displays her versatility by giving a cheery portrayal of Cutie in (The Midnight Caller).” – HuffPost Arts & Culture

“Andrea Lynn Green matches Hallie Foote beat for beat with a precisely rendered vision of unshakeable sullenness.  ”Blind Date” is deliciously acted and a charmer. “The Midnight Caller,” …teary and sweet “Cutie” Spencer (Andrea Lynn Green in an absolutely different characterization than her earlier in the evening)…”Harrison, TX” is an emotional satisfying theatrical endeavor.” – Broadway Bulletin

 


GIANT (Dallas Theater Center)

“Scene-stealers included powerhouse Andrea Lynn Green, as Lil’ Luz..." – White Rock Lake Weekly

“The actors who play their teenage children, including Lil’ Luz Benedict (Andrea Lynn Green), as well as those who play the children of the Mexicans who work the ranch, bring the musical back to life.” – Front Row

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LUCY (Delaware Theatre Company)

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“Andrea Lynn Green tackles the difficult role of Lucy. In addition to portraying autism accurately, she also serves as the narrator of the piece, taking the audience inside Lucy’s head. Ms. Green is wonderful at these challenging transitions in and out of Lucy’s autistic behaviors. She instantly endears herself to the audience during her speeches directly to us. Then smoothly morphs into a scene with the skill of a seasoned actor.” – Stage Magazine


ANNE & EMMETT (Ford's Theatre/Atlas Lang Theatre)

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"Frank, played passionately by actress Andrea Lynn Green, lends a sympathetic ear to Till, a role played vigorously by Charlie Hudson III." – Washington Life Magazine

“The strength of these two fine actors, Andrea Lynn Green and Charlie Hudson III, guided by Talvin Wilks’ clear-sighted direction, brings this part of the script to life. Green relays the unrelenting strength of a young Anne Frank who refused to succumb to the hatred that slaughtered millions. Their evolving roles in learning about each other’s histories, caring, sharing and eventually trusting each other is the highlight of the production.” – DC Theatre Scene